All students will play scales except percussion. All students will sight read.
FLUTE
( Rubank Advanced Method , Vol. 1 )
p. 28-29 #10 (top line) quarter note = 100
p. 34-35 #14 (top line) quarter note = 108
p. 35 #15 (top line) quarter note = 60-72
OBOE
(Rubank Advanced Methods , Vol.1)
p. 28 #10 (top line) quarter note = 76
p. 30 #12 (6 lines, 3 meas. & 1 beat) quarter note = 66
p. 49 #16 eighth note = 120-132
BASSOON
(Rubank Advanced Method, Vol. I)
p. 44 #10 eighth note = 144
p. 45 #12 eighth note = 88
p. 36 #21 quarter note = 54-60
CLARINET
( Rubank Advanced Methods , Vol. 1 )
p.54 #17 quarter note=88-112
p.32 #11(top line) eighth note=72-88
p.52 #11 quarter note=96-108
LOW CLARINETS
(Introducing the Alto and Bass Clarinet)
p. 14 #5 quarter note = 120
p. 36 #5 quarter note = 72
p. 39 #7 dotted quarter = 60
SAXOPHONE
(Rubank Advanced Method , Vol.1)
p. 28 #10 quarter note=76
p. 50-51 #20 dotted quarter = 80
p. 49 #15 quarter note=88
CORNET/TRUMPET
(Rubank Advanced Method, Vol.I)
p. 26 #11 quarter note=120-132
p. 47 #6 quarter note = 80-92
p. 49 #12 dotted-quarter =92-100
FRENCH HORN
(Rubank Advanced Method, Vol.I)
p. 37 #22 eighth note = 74-84
p. 50 #11 quarter note=94-108
p. 53 #18 dotted quarter=78-90
TROMBONE
(Rubank Advanced Method, Vol.I)
p. 46 #25A quarter note = 96
p. 54 #15 dotted quarter = 60
p. 27 #11 (top line) quarter note = 112
EUPHONIUM/BARITONE – TREBLE CLEF
(Rubank Advanced Method, Vol.I use trumpet book)
p. 26 #11 quarter note=104-112
p. 27 #12 dotted quarter=72-84
p. 50 #13 quarter note = 80-88
EUPHONIUM/BARITONE – BASS CLEF
(Rubank Advanced Method, Vol.I )
p. 27 #11 quarter note=104-112
p. 28 #12 dotted quarter=72-84
p. 53 #13 quarter note = 80-88
TUBA
(Rubank Advanced Method, Vol.I )
p. 32 #12 quarter note = 100
p. 47 #6 quarter note = 76
p. 34 #16 quarter note = 88
“Portraits in Rhythm” – Anthony Cirone
“Fundamental Studies for Mallets” – G. Whaley
“The Solo Timpanist” – Vic Firth
Total Percussion Audition
Snare: #50 from “Portraits in Rhythm” -Anthony Cirone
Mallet: p. 37 Little Hunting Song from “Fundamental Studies for Mallets” – Garwood Whaley
Timpani: etude # 3 (Firth) note: This etude has been re-written to reflect NO pitch change in the middle of the piece. Click here for a PDF.
All Jr. High Percussionist will sight read on keyboard and snare.
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